Michael Beinhorn and Christian James Hand Analyze “Black Hole Sun”- January 26, 2018 NAMM

Friday, January 26- 5:00 pm- 6:00 pm Michael Beinhorn, producer of Soundgarden’s 1993 multiplatinum record “Superunknown”, and Christian James Hand, host of the popular “Sessions on Air” series, will dissemble and analyze that album’s most popular song, “Black Hole Sun”. They will discuss the development of this track and the production techniques that were used Continue Reading

TEC Tracks Presents- “Unlocking and Unleashing Creativity”- Thursday, January 25, 2018 NAMM

Thursday, January 25 — 4:00 pm to 5:00 pm California Ballroom A (Level 2) While most conversations about record production focus on equipment and technique, this panel will focus on the creative process and the role of the producer in that process. Grammy-winning producers Michael Beinhorn, Frank Filipetti, Mark Needham, Niko Bolas, and Ross Hogarth discuss their perspectives on Continue Reading

AES Presents- “Deconstructing The Mix- Rockit” with Michael Beinhorn and Christian James Hand- NAMM January 25, 2018

                                                                    Thursday, January 25 from 11:00 am- 12:00 pm                                                                     Laguna A (Level 4) Anaheim Hilton Join producer Michael Beinhorn (Soundgarden, Red Hot Chili Peppers, Hole, Soul Asylum, Korn and co-creator of “Rockit”) and Christian James Hand (“The Session on Air”) as they present an “unpacking” of Herbie Hancock’s classic track, for a uniquely in-depth Continue Reading

The Anatomy, Physiology and Function of “Wake Me Up”

Not long ago, I heard a song that was released in 2014 by an artist named Avicii called “Wake Me Up”. It’s well written, efficiently constructed (in the same way a pre-fabricated plastic shed one might purchase at Home Depot is efficiently constructed) and has a strong, sing-song melodic hook which the composers modified slightly to Continue Reading

INNOVATION, APPROPRIATION AND CONTEXT

I wrote this essay in response to two questions I was recently asked. The first question pertained to an ongoing discussion about the state of affairs in music. The second question pertained to my personal guidelines regarding what I consider musically innovative. It’s important to mention that to me, this wound up being more of Continue Reading

ARTISTS OF THE WORLD, UNITE

Artists-  You’re being forced into an untenable position by your increasing inability to earn a living from your efforts and hard work. You’re also being dictated to daily- schooled- by multitudes of business people (music and otherwise), so-called pundits, internet commentators, talking heads from the tech world, self-proclaimed tastemakers and occasionally, other performers.  All of Continue Reading

The Facade of 300

I think I just got the true significance of the new music company, 300. In my estimation, there’s much more here than what first meets the eye.                   Up till now, streaming services have been doing little more than recycling pre-existing works (Beats Music- which is being Continue Reading

In Praise Of Re Recording Your Masters

One upon a time, at the tender age of 23, I found myself in a recording studio working on record with no less of a personage than Herbie Hancock. This recording was meant to mark the end of Herbie’s tenure as an artist with Columbia Records and although no one wanted to say so, instead Continue Reading